Singing it's a wonderful Christmas

Nearly a hundred years ago, my grandparents met when singing in their church choir. I never heard my grandmother, Mary (said Marie) singing because she died before I was born. But her sister. Bess, taught her daughter, my aunt, to sing Irish folk songs, remembering all the verses. Her brother, Charles, was once approached to train as a tenor in the States because his voice was so good. My parents enjoyed music, my father in an amateur operatic society, and at home my mother playing the piano and the family singing, but I didn't know this history of singing in the family, until decades later. Like my grandparents I joined a chapel choir accompanying on guitar. I discovered how much fun singing is, and sang for my own pleasure throughout my twenties and thirties. Sadness and pain in my mid-forties stopped me singing.

Next Stage Choir: It's a wonderful Christmas

Some years ago, on a short acting school week (blogged at Itch scratched)  I rediscovered the joy of singing, and singing with others. I looked for singing lessons locally and tried a couple of choirs, but nothing worked until in February 2018 a new local community choir, Next Stage Choir started in our town. And loved its ambiance.
I love singing. I like the enthusiastic people I sing with. I enjoy the female friendship (not so many women in my work or tae kwon do), and the projects we have done and lined up to do. Our latest project has been to produce an album of Christmas songs. Here's a photo of the CD when it was released at midnight at the start of December.
We sound good. You'll enjoy listening and perhaps sing along when you download it (Amazon, Spotify, iTunes). If you want a CD, let me know and I'll get you one.
I wish I could share this news with my family - my mother who played the piano, my aunt who sang Irish tunes, and those grandparents who passed me the passion for singing when they married nearly a hundred years ago.

Choir recording project

Angel studios welcomes NSC

Our choir made a recording at Angel Studios, London. Most of us had never been in a recording studio before, never recorded before, and indeed, our local choir didn't exist a year ago.
The building looks old from the outside, but inside you have no natural light, no idea what’s happening outside and most of the inside is sound proofed, padded and stripped of its originality. You can still see character in the stair banisters, and the old gas fire at the end of the ladies’ loo. We were about 80 people to fit in our studio, of which there are at least three.

We recorded only six songs, about 20 minutes worth, but those took all day, doing takes and retakes, as well as the director reminding us of parts or to be quiet, and freeze at the end of a take, not claim, cough or shuffle. We finished with a minute to spare at one minute to six, time enough to take some more photos of the choir to go with the CD.

A few of us stayed after recording to watch the mixing. I walked into the mixing lab as they were playing one of our songs and was stunned to hear what we sound like. You usually hear only your own part, concentrate on that and can't hear the blend. We're good!
The technology was fascinatingly powerful; look at this speaker on the wall. It's as big as quadraphonic speakers, so you can imagine the quality of sound that it produces..

Speaker

Mixer board with two choir acolytes 

Look out for the Next Stage Choirs Christmas recording in the autumn. This is going to be amazing.

Memories of music: Until it's time for you to go

"Until it's time for you to go" was a song I learned and sang in summer 1975, after my first serious love affair had ended. I learned it from DW's records. He too had just had a serious love affair end, engaged to an Irish girl at the same college as me. But he was a Northern Irish Protestant. Why did he have to meet another Catholic girl? Me. But we spent that summer as friends, travelling together platonically (we experimented with that word,"platonic") round French camp sites, hitching down to Bordeaux, and walking up the highest (and hottest) sand dunes of Europe in the middle of the day. We laughed, argued and sang together that August.
Back in his room at Brunel University he had this Buffy St Marie record and I taught myself to play the tune on  my guitar, and I learned its words. They seemed so apt to us, in a relationship we could not sustain:
"Don't ask why"...
"and here you'll stay until it's time for you to go".
"Yes, we're different. Worlds apart. We're not the same..."
but we were the same, and only a sea apart, a slightly different faith apart.

---

Having written that, now I remember more about that holiday:

• visiting P & M, old family friends that I'd spent a previous summer with and who were holidaying in the Bordeaux region, knocking on the door and hearing an invitation, we stepped in to the family's surprised faces. P had said, not "Entrez" but "Qui est là? It must have been shock to have us visit in late evening and dark. Their son, F, quizzed me on our sleeping arrangements in our tent - cheeky nearly teenage boy!
• the torrential typical Mediterranean downpour, so DW had to wake me because i was sleeping in a newly created stream! We spent the rest of that night in the men's showers, and packed and left in the morning. But the sun came out and by midday, all our clothes were dry, including our sleeping bags sitting on the top of our ruck sacks, as we hitched in the heat. one night our hitch dropped us int middle of who-knows-where, but not near a campsite, so we pitched our tent surreptitiously and hopefully in a small wood by the side of the road, slept and got up early to be off before someone came saw us and complained we were trespassing.
• one lift took hours to get and DW was getting grumpier and grumpier, so I was attempting to balance him with cheerfulness. he complimented me after, but I felt I was forcing it, yet he never knew and my cheer took us through to the next lift.

After that summer, we started our first jobs, in London, hardly a city apart, only a few suburbs between East London and the west. We kept in touch for a few months, then, since our paths didn't cross again, we lost touch. It was time to go.

Three degrees removed

Last year MiL moved out of her home and passed on an heirloom to us - a square piano.  This piano had been her mother's before her, and it has been in the Green Room at Drury Lane, before being taken up to Sheffield and played in the theatre there during the war.  After her mother died, it stayed with her father and then with her stepmother, who had it for decades.  Her stepmother wasn't a pianist, and didn't really appreciate this piece of furniture, at one time apparently she considered pulling out its insides and turning it into a drinks cabinet! When her stepmother moved out of her home to a care home, MiL had the square piano again.  Being the worse for wear, she had it restored, lovingly and carefully restored by Douglas Hollick.

But transporting it to our house meant it needed retuning.  Our musician neighbours put us in contact with the Royal Academy of Music where we found someone who now enthusiastically tunes our piano.  He's going to contact Douglas Hollick to talk about the piano and whether to tune it up.  At the moment he's tuned it to 392 herz because otherwise it is going out of tune too quickly.  When he came this year to tune it, we discovered that he knows my late husband's best friend from school - my husband's friend's friend makes us three degrees apart I guess.

Handel's Halleluiah

I quite like Handel's Halleluiah anyhow, but this is such fun. I hope the 'monks' had fun rehearsing it too.

Singing neighbour

I wonder if you heard Handel's Messiah on the BBC Radio 3 prom last night, prom 68. Our neighbour's daughter was there, singing in the choir. We had all the radios in the house on. All three of us were listening to a splendid concert. The details are here but you have only a few days to listen.

Baby musician plays guitar

Youngest grand child is such a happy child, secure in a loving family with confident and content siblings. Here's a video of her listening to her musician uncle as he experiments with my old guitar.

http://www.youtube.com/watch?v=0es8YNkuvNM

What's amazing is that such a young child can sit and concentrate for so long when so many children even years older than her cannot. It must be something to do with her ease, her comfort, her health, her security in her family.